English Romantic Painter, 1775-1851 landscape master landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.   Related Paintings of J.M.W. Turner :. | The Thames near Waton Bridges | Portsmouth | The Battle of Trafalgar | His Army Crossing the Alps | More Park,near watford on the river Colne |
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Thomas Danby
(c. 1818 - 25 March 1886) was an English landscape painter. Danby was born, it is thought, in Bristol in south-west England, the younger son of Francis Danby (1793-1861). He had an elder brother, James Francis Danby (1816-75) who also became a landscape painter. Thomas went with his father to Europe in 1829, living for a time in Paris where he was able to earn a living by copying pictures at the Louvre in Paris. He thus became an earnest admireer and "student" of Claude Lorrain, whose aerial effects he sought to imitate. Returning to England about the same time as his father, he first exhibited at the British Institution in 1841, and afterwards frequently at the Royal Academy from 1843. He was a friend of Paul Falconer Poole, with whom he shared a house in Hampstead in 1843, and imbibed not a little of his romantic feeling for nature. From 1855 to his death, Danby resided in or near Hampstead in north London.. The subjects of his landscapes were usually taken from Welsh scenery, especially the old county of Merioneth; his pictures for the most part were not ideal compositions (unlike his father's work) but actual scenes pervaded with a true romantic spirit. "He was always trying" says the writer of his obituary in The Times newspaper, "to render his inner heart's feeling of a beautiful view rather than the local facts received on the retina." He came, it is said, within one vote of election as an Associate of the Royal Academy (ARA) but, failing eventually to attain Academy honours, he devoted himself in his latter years chiefly to watercolour painting. He became a member of the Royal Hibernian Academy in 1860, an associate of the Society of Painters in Watercolours in 1867, and a full member of the latter in 1870; until his death his contributions were prominent amongst the works at the society's exhibitions. Danby died of a chest complaint, terminating in dropsy on 25 March 1886. He had been twice married, and had 2 daughters and a son from the second marriage.
Circle of Denis van Alsloot
Daniel or Denis van Alsloot (Dutch: Denijs van Alsloot) (c.1570-c.1626) was a Flemish Baroque painter.
Blanchet, Louis-Gabriel
French Painter, 1705-1772 French painter, active in Rome. He won second place in the Prix de Rome competition in 1727 and thereafter settled in Rome, where he enjoyed the patronage of Nicolas Vleughels, Director of the Acad?mie de France, and the Duc de Saint-Aignan (1684-1776), who at that time was French Ambassador to the Holy See. In 1752 Blanchet painted the Vision of Constantine (Paris, Louvre), a copy of Giulio Romano's fresco in the Sala di Costantino in the Vatican. He was, however, principally a portrait painter. His portrait of Tolozan de Montfort (1756; Lyon, Mus. B.-A.) is a fine example of his elegant, rather nervous style and his distinctive use of colour. In the same year Blanchet executed a portrait of the contemporary painter Johann Mandelberg (1730-86; Copenhagen, Kon. Dan. Kstakad.). Other surviving works of his include St Paul (signed and dated 1757; Avignon, Mus. Calvet) and his full-length portrait of P. P. Lesueur and E. Jacquier (1772; Nantes, Mus. B.-A.).